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Mollywood Times begins with an engaging and promising first half but struggles to maintain the same momentum after the interval. While Naslen and the supporting cast impress, the film's average second half and climax prevent it from fully delivering on its potential. Rating: 2.5/5.

Tumbadchi Manjula successfully adapts the beloved Kannada film Su From So for Marathi audiences. Strong performances, particularly from Sai Tamhankar, Jitendra Joshi and Usha Nadkarni, make this a worthwhile watch despite its familiar story.

Zee5's Brown wastes an interesting premise and a capable actress like Karisma Kapoor in a sluggish murder mystery that lacks thrills, tension and genuine suspense. Predictable and painfully slow, this crime drama struggles to hold attention.

The new He Man strips the iconic hero of his essence, turning him into a talk-heavy, underwhelming lead. A miscast Nicholas Galitzine adds to the disappointment.

Bandar is a riveting, well-crafted film powered by strong direction and outstanding writing. Bobby Deol delivers a career-defining performance in this gripping drama.

Aiming for light comedy, Hai Jawani Toh Ishq Hona Hai falls flat with tired gags and an old-fashioned plot. Varun Dhawan does his best, but the film is only average.

Maa Behen is a ridiculous, nonsensical Netflix family drama where Madhuri Dixit delivers arguably the worst performance of her career and a painfully miscast influencer tests your patience from start to finish.

“The Great Grand Superhero is an average family entertainer with a few fun moments in the first half, but a dull second half, weak VFX climax and saved only by Jackie Shroff and the child actors.”

A twisted romance-horror with stellar performances from Inde Navarrette and Michael Johnston. Gripping until the end—literally—where it stumbles.

A loud, messy misfire. Kattalan disappoints with its irritating BGM, weak story, and endless violence that fails to engage or entertain.