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Bollywood news, reviews, interviews & fashion
Bollywood news, reviews, interviews & fashion
Bhai Tera Star Hai review: a laugh-free comedy that wastes Raghav Juyal on a weak script, gimmicky direction, and baffling casting. Bollywoodwallah rates it 1.5/5.
Christopher Nolan's The Odyssey arrives as a lavish IMAX epic with no wind in its sails — a sluggish, dialogue-heavy misfire where below-average action and a predictable climax sink a stellar cast. Our full review.
Alpha, starring Alia Bhatt and Sharvari, promised a high-octane spy spectacle but delivers a dull script, chaotic action, and a miscast Bobby Deol. Only Sharvari's entry and Hrithik Roshan's Kabir cameo offer relief in this 1.5-star misfire.
Balan the Boy is a gripping Malayalam thriller that combines survival drama, emotional storytelling, and mystery. Led by a brilliant performance from Farzana and powered by an unpredictable climax, the film emerges as one of the most engaging Malayalam films of the year.
Cocktail 2 fails to recreate the magic of the original, delivering a confusing story, weak chemistry, forgettable music, and uninspired performances. Despite its stunning visuals and talented cast, the film ultimately feels like a sequel that never needed to be made.
While Raakh struggles to maintain narrative momentum as a crime procedural, its true power lies in the performances of Akash Makhija and Divya Sharma. Makhija is chillingly magnetic as the cold-blooded antagonist, while Sharma serves as the series' beating heart,
Disclosure Day is a profoundly disappointing sci-fi misfire from Steven Spielberg. Despite a talented cast, the film suffers from weak VFX, a lethargic script, and an unsatisfying, ambiguous climax. It is an average effort that fails to capture the director’s signature magic.
Bharat Bhhagya Viddhaata is a riveting, high-stakes thriller that honors the heroism of medical staff under fire. Anchored by a masterful, powerhouse performance from Kangana Ranaut, the film overcomes a slow start to deliver a gripping, intense, and emotionally resonant tribute to real-life warriors.
Imtiaz Ali’s Main Vaapas Aaunga is a tiresome, three-hour exercise in vanity that suffers from a hollow script, zero lead chemistry, and disjointed editing. Despite a commendable performance from Naseeruddin Shah, the film is a monumental disappointment that fails to capture the magic of the director's past hits.
Vikram Bhatt’s Haunted 3D is a hollow failure that erodes his genre legacy. With amateurish VFX, grating sound design, and a complete absence of atmosphere, it misses the mark entirely—delivering an unintentional farce rather than a horror film.
